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Blog posts from 2011

Friday Links – Kinects, jittergifs, and robots

Chris O’Shea’s Body Swap is a Kinect-based installation that lets two people control “paper cut-outs” of one another. Especially fun, as the video proves, with two people of very different height – and the provision of music to encourage acting and play is a nice touch.


Photo credit: obvious_jim

Another Kinect-related link: this Flickr set shows what happens when you map depth data (from a Kinect sensor) to a traditional digital camera photograph – and then pivot and distort it in three dimensions. The above image is probably my favourite, but the whole set is worth a look – if only for the way the set progresses through increasingly distorted takes on the original photographs.

3ERD is a tumblelog of jitter-gif photographs from Matt Moore. He’s using a stereoscopic compact camera (a bit like, say, the Fuji W1) to take stereoscopic images – but then turning the left and right image into a two-frame animated gif. The results are uncanny. It’s hard to comprehend that both frames were taken at the same time, however simple the idea may seem; the translation of two images separated in space into two images separated by time is a strange one to wrap your head around. A little slice of bullet-time.

Teriyaki blog

50 Watts’ Space Teriyaki is a wonderful collection of Japanese futurist art and imagery from the seventies and eighties. It veers between the bleak and gynaecological; throughout, though, there’s a fascinating use of colour and form.

And finally: a robot arm, repurposed into a physical feedback system for a racing computer game. It brings a whole new meaning to “force feedback”.

Week 300

Three hundred weeks!

Everybody likes a number ending in zeroes.

Matt J and Jack are still in New York, where they’ve been teaching at the School of Visual Arts. They return tomorrow morning, landing straight back into the thick of things at the studio. (Well, they land at the airport really. They’re not falling out of the sky back into their seats, though it’s an amusing thought).

Matt W is also away, talking at FITC Amsterdam. He’ll be back on Thursday, I think.

Everyone else is here, and busy.

I’m working on Schooloscope this week – scraping new Ofsted inspections, little bits of maintenance. I’ve also been working around SVK – firming up the infrastructure around selling things. That’s coming together nicely out of several disparate pieces.

Alex is hard at work on various different design elements relating to SVK – working with advertisers, promoting the product, designing websites to sell it. Important stuff.

Nick’s darting around between a selection of technical prototypes, as well as ongoing work on Weminuche. Every now and then he waves people over to his desk to show us some magic working; every time we wander over, he shows us magic.

A box of fruit arrived this afternoon, which is all down to James. This scheme – wherein various people through Brig put a pound in an envelope, and we get a box of fruit delivered a week, has been christened Fruit Club; Alex even designed a logo. I am enjoying the fruits of Fruit Club as I type.

Workwise, James is attacking both Dimensions and Weminuche this week – the former likely heading towards a nice demo on Friday.

(We’ve started doing Friday demos – sometime in the middle of the afternoon, anyone who, on Monday said they’d have something to demo, shows it to whoever’s around. We usually all try to cram around monitors, or break out the projector; it’s really exciting to see work you’ve not been involved with emerging. James and I will definitely be showing things this week; there might be more Weminuche to show, too).

Matt B is mainly focused on Barringer, but he’s also got some fingers in SVK this week – including hitting “go” on some exciting buttons.

Last week, Kari was inside mass of dense accounting and reporting work, which has now been complete, and we await the results of it. This week, she’s writing a bit, keeping on top of admin, and keeping track of the flows of information and work, in and out of the company.

I went over to the studio doors just now, to check the list Kari maintains of what everyone’s doing – she updates it every Tuesday after our standups. At the top is the week number – and this week, 300 is in a different colour, a larger size.

Which made me smile.

Links for International Women’s Day

If you’ve missed that today is the 100th anniversary of International Women’s Day, well, you’ve not been spending much time on Twitter today, have you? Here are a few links in honour of the day:

Nicholas Kristof and Sheryl WuDunn have started a movement with their book Half the Sky. (The title comes from an ancient Chinese proverb: “Women hold up half the sky.”)

When Fangirls Attack collects links (LOTS of them) to articles on gender in comics.

The Guardian list their Top 100 women. Tellingly, only two of the 100 fall in the category of Technology.

Channel 4 Food have a list of the most inspiring foodie ladies in Britain.

TEDWomen is a treasure trove of talks and performances by awesome, inspiring women.

Today is a great day to re-read Sojourner Truth’s 1852 speech Ain’t I A Woman. (Or, even better, hear it read by Maya Angelou.)

And finally, if you really have been absent from Twitter today and haven’t seen EQUALS‘ video of 007, er… Daniel Craig dressing in drag to make a point about gender inequality, please watch it now:

;

SVK decloaks in Wired magazine

Wired UK magazine gets the scoop on the secret of our upcoming comic collaboration, SVK:

Why should superheroes have all the fun? In SVK, a new one-shot comic by Warren Ellis (Transmetropolitan) and Matt Brooker (2000 AD), you get a power of your own: mind-reading.

Shine the special torch (bundled with the book) on the page and you reveal the characters’ thoughts, printed in UV ink.

Boom!

I gotta tell you, it’s magical.

(That’s a little of Matt Brooker’s test art.)

Read more at Wired: How Warren Ellis is using torchlight for his latest comic.

We’re due to publish Ellis and Brooker’s creation in April 2011. Sign up for news of SVK’s release at getsvk.com.

Week #299

Everyone in the room has gasped at least once this week.

I’ve just glanced over Nick’s shoulder. Every time I look, he’s working on something different. Many, many strange and brilliant things are brewing in the dark recesses of his terminal windows.

Out in the room known as New Statham, Weminuche grows. We all creep in, feeding it with whiteboard drawings, spreadsheets, gantt charts, collaborative experiments and wordplay. Some weeks it simmers; other weeks, people stride out, fists clenched in triumph. That’s happened more than once.

Kari continues to tame the beast that is managing the studio. Her work this week has looked even more intense than usual.

Alex and James glide back and forth between desks and whiteboards, sharing and iterating code sketches, drawings and animations. They’re at the point where they’re starting to really crack the back of something, and keep revealing things that make the hairs on the back of my neck stand up a little.

Tom is in deep integration mode, tightening the bolts on structures and systems that will fuel BERG’s longer term plans, occasionally looking up to send the usual brilliant, obscure links around the studio mailing list, before diving back down, brow furrowed, earphones in.

There’s a little sneak peek at SVK, the comic we’re publishing with Warren Ellis and Matt Brooker, in this month’s Wired. I’ve been helping to pull the various strands of it together over the past few months, and from where I’m sitting, it looks to be an absolute belter.

Mr Jones and Mr Schulze are in New York, teaching at SVA and scheming on new projects. They’ll be back mid next-week with tales of derring-do under the influence of weapons-grade Haribo.

Mr Webb has been zipping around, having lots of meetings, each time coming back into the room wide-eyed with new possibilities. I would love to be able to jack directly into his brain this week.

The room has been calm, yet fizzing with energy.

Friday links

Hello! Here is some scoopage from the studio mailing list this week.

Timo, Einar and Jørn launched their new, beautiful lightpainting film looking at the invisible terrain of WiFi networks in urban spaces:

Mr Jones found this delightful little idea for an RFID record player by Bertrand Fan:

Tom spotted these magical ‘diorama maps’ of London and Tokyo by Sohei Nishino:

diorama_london

Everyone enjoyed Alice Bartlett’s “machine that dispenses chocolate according to nice or mean things that people say on twitter“…

All of it

… and here is a 3D macro lens.

Also, we have been listening to some Justin Bieber slowed down 800%, playing a lot of Tiny Wings, and watching some workmen practicing capoeira outside in the street.

That is all. Happy Friday!

The Hopeful Monsters of New York

SVA

We’re wrapping up our week teaching at SVA on the interaction course tomorrow.

It’s been an amazingly fun week – with an excellent group of students throwing themselves into material explorations, generative drawing, prototyping behaviour and surfaces and more.

It’s like Sterling’s cave of Taklamakan, made from post-it notes and acetates.

We’ve had a little blog for the week set up where we’re posting the work as it’s produced, and have put the briefs etc.

SVK: Meet Thomas Woodwind

SVK: Meet Thomas Woodwind

Woodwind is the protagonist in SVK, the comic we’re publishing by Warren Ellis and Matt “D’Israeli” Brooker in April 2011.

This is one of Matt’s early character sketches for Thomas Woodwind, who is quite the piece of work…

Here’s Warren’s character notes from an early treatment:

THOMAS WOODWIND:  I’m seeing a man of six feet or so, quite lean, with a good Patrick Stewart-ish skull fuzzed with very short pale hair. Paranoid eyes. Tending to very long black coats, probably with poacher’s pockets sewn on the inside.  A bluetooth earpiece cupping each ear, with front facing limbs (where the IR LEDS are). Also wears black gloves, I think – no fingerprints, reduction of epithelials.

Like I say – a piece of work all in all. He’s a classic Ellis character, with a mind like a steel-trap and a sharp tongue to match. He also makes Jason Bourne look like he’s trying too hard…

We’ll have some more news about the project likely next week, but I also want to point you at the site we’ve built where SVK will live. There’s not a lot there yet… but for now you can sign up for news about SVK’s release at getsvk.com

A few links for your Friday

Matt Jones sent this lovely bit of musical mojo – “a collaborative music and spoken word project conceived by Darren Solomon from Science for Girls” –  to the studio a couple of weeks ago, and I immediately spent at least twenty minutes playing with it. Hypnotic.

Matt Webb found this gorgeous isometric map of Hong Kong. I’ve not yet been to Hong Kong, but looking at it from this perspective, the immense density of the city started to sink in. Look at all those high rise buildings smushed in together!

Via Alice Taylor ‘s round-up of Toy Fair USA we discovered Kauzbots. How great are these? You get a cuddly handcrafted robot toy and support a good cause at the same time. I think several people I know may be getting these as gifts this year.

Finally, in case you missed it yesterday, the last Discovery space shuttle mission launch:

We’ve been sending humans into space for fifty years now, and there are two main thoughts that usually occur to me whenever I reflect on the fact of space flight: 1) “WTF?! We send people into space! There are people LIVING in space on the International Space Station! Un-effing-believable!” and 2) In the 1960s people expected by now that we’d have colonised the moon and interplanetary travel would be no big deal. What happened? Why aren’t we there yet?

Totems and City Avatars

Keyring

At one point during City Tracking, I commented that I still felt a connection to London during my time in San Francisco through the bike-key on my keyring (above).

(If you’re not aware of London’s cycle hire scheme – it’s a system of bike rental whereby bikes, distributed between docking stations around the city, can be unlocked with a plastic “key” and a small fee. It’s similar to Paris’ Vélib).

I suppose that could have mentioned my Oyster Card, but that usually lives tucked away in my wallet. The bike-key was something I touched several times everyday; it acts as a kind of key-fob for me.

I mentioned that, for me, the key acted as a kind of what Mike Kunivasky calls a Service Avatar. As Mike explains in his Microsoft Social Computing Summit talk:

“…because these things are now connected, their value moves from the device to the service it represents, and the actual objects become secondary. They become what I call service avatars.”

Mike is talking about electronic devices like digital cameras and TVs at this point in his talk – things that have functionality within them that is then connected to a service.

The bike-key has no functionality without the service: it’s just an RFID tag inside a piece of plastic. The service itself is unavoidably located in London. The computer systems that run it do not have to be, but the bikes themselves – the critical hardware within the service – cannot be located anywhere else.

The city and the service are tied together.

And so, for me, that keyfob that I pass through my fingers when I pick my keys up, or fidget with them in my pocket, is not just a service avatar; it’s an avatar for a city.

Then, of course, I have to unpack what I mean by “city”: not only the architecture and built environment, but also: the people within it; the transit systems that I experience so much of it through; the service layers including power, utilities, and even the payment schemes such as Oyster; the many digital layers on top, Foursquare and Gowalla and geotagged photos on Flickr and so forth.

The bike-key touches all of these: the built environment of the roads, the transit map, payment services, the digital infrastructure. It’s not just an avatar for a single service; in some ways, it’s an avatar for the entire “stack” of the city.

Time for a slight confession.

When I described the bike-key, I described it as a totem of London that I carried with me. When I said that, I wasn’t really referring to the traditional notion of an object describing the structure of kinship groups – although there are definitely comparisons to be drawn there, which Elizabeth Goodman touched on in her session on the final day.

My reference was more rooted in popular culture.

Totem

In Christopher Nolan’s recent film Inception, characters keep “totems” – small objects that behave in recognisably unique ways that only their owners know – to prove that they are truly in the real world to themselves (as opposed to being in one of the dream landscapes in which much of the film takes place).

All the totems seen in the film are objects with particular physical qualities – a spinning top, a loaded die, a poker chip, a weighted chesspiece – that behave in very particular ways (toppling, spinning) when subjected to the laws of real-world physics. Their totems prove that the laws of reality are in effect.

Nolan’s “totems” are reminders not just of the real world – but of the system that world runs on.

The bike-key in my pocket is a totem reminding me of larger systems – both the London bike network, and the city itself.

In San Francisco, it was a tangible reminder that London is still there, even though the key had no functionality in this particular city. Returned to London, the plastic key regains its powers, and returns to its normal behaviours: unlocking bicycles, capturing my usage of those bikes in its system.

As the city becomes increasingly networked – as Adam Greenfield describes eloquently in this post on the Urbanscale blog – there will inevitably be parts of that network, and thus parts of the city, that I can take with me.

On my keyring, everywhere I go, I carry a piece of London.

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