Happy equinox! As the summer approaches and the sun appears more each day, patches of light are cast down through the skylights into the studio. Currently the light illuminates just the north wall and the table, meaning I was able to bask in it during our weekly meeting.

Following the requisite discussion of what the number 354 means, including some eye-rolling from me about how much time Mathematicians seem to spend finding and naming patterns in numbers that are seemingly of zero consequence, we proceed with what everyone is up to this week.

James, Alex and I are working on Chuska, a four week run at a short brief with sketches in code, and a lab notes style approach to working. We are also continuing work on Little Printer and BERG Cloud.

Matthew is focussing on business development.

Nick is writing software for Little Printer. I’m not sure I can be any more informative than that or the Infosec police will come for me in the night.

Andy is doing an awful lot, all Little Printer related. Chasing colour sheets to send to China, technical files for certification (Little Printer has some exams to sit), paper testing, spending time looking at Gantt charts with Simon, quotes, bombs, stepper motors.

Timo is rezzing concepts with Joe for Silverton. They are sat on the sofa right now chuckling and looking at gadgets that might be real things or might be models, I can’t tell from here. Timo is also completing some video sketches, and continuing his quest for the sales Steak Knife set.

Simon is massaging the starts of some projects and then ends of others. He is also managing Little Printer and our time around that.

Helen has finished a record stint of cake buying. There have been four birthdays in four weeks, each requiring a cake. This week she is helping Simon with POs and NDAs and setting up various profiles and passwords for our new team member.

Denise is doing a little project with Matt Jones, working with Tim on some Uinta stuff and managing all of the enquiries and comments we get from the many people whose attention Little Printer has grabbed.

Matt Jones is overseeing Chuska, working with Denise, doing some bits and pieces on Silverton and some preparation for Sinawava.

So that’s week 354.

From Nick, piccolo, the tiny CNC bot:

Piccolo the tiny CNC-bot from diatom studio on Vimeo.

From Denise, Dog Ear, a new publication on a bookmark by Fallon:

From Alex, Synchromy – an animation by Norman McLaren from 1971 created by using an optical film printer:

From Timo, Intersections in the age of driverless cars. This gave me the willies.

Matt Jones shared this picture of a Hydroelectricity Plant, which reminded me of John Glen-era Bond movies:

James, like the rest of us, really like the new design of Fix My Street, especially the way it scales for different sizes of devices. Check out what needs doing near our studio.

From Jack, reaDIYmate – build an internet-connected thing in 10 minutes:

Shouts to @alruii for sharing Terry Wogan’s Secret Pirate Radio, brainchild of the marvellous Peter Serafinowicz:

Some more lovely character sketches by Denise for our Lamotte project, following on from her bears, sloths and rabbits…

It’s 4:55pm on Wednesday, and this is my most frequent type of view on Week 353 – the week calendar. Most of what we’re up to is here. With all the minutiae removed, I wonder if it’s possible to guess who is who?

It just so happens that a number of client projects have recently finished or are wrapping up at the moment, at much the same time, and several new ones are kicking off. The processes around getting everything in place to start & finish are numerous and I’m running through my checklists to make sure everything is set up correctly. Helen’s been doing similar, arranging travel and keeping the finances in check.

Matt Jones, Timo and Joe are all involved in a kick-off workshop for Silverton this week and our clients are here with us. Today we can just about hear animated conversation coming from our meeting room. It’s the first time we’ve run a workshop in our new studio space, which we’ve well and truly settled into now. Matt Webb has been involved in this a bit too, alongside writing proposals for upcoming projects, making decisions about Little Printer and bringing delicious curry to the studio for lunch.

Alex has been furthering the packaging design for Little Printer, as well as producing assets for the next iteration of the remote site ready to be built. He’s also going to be leading a new project, Chuska, in the coming weeks with Alice and James, who are also working on publications and infrastructure for Little Printer and BERG Cloud. They’ve also been out and about filming with Timo for Lamotte, and making toast at 5pm, which makes the whole studio a bit peckish.

Denise has been drawing owls and foxes for Lamotte (for Timo, who will be making them fly) and generally steering the design and content of Little Printer.

When Andy isn’t strong-arming the studio into drinking coffee or eating doughnuts, he’s overseeing the tooling and production of the various parts that go into the physical Little Printer, tweaking electronics, ordering parts and lining up all the hoops we’ll be jumping through en-route to announcing pre-orders. He’s also been shouting numbers and letters that I don’t fully understand across the studio to Nick who’s been working fervently on immediate tweaks to the lower-level software on Little Printer, and working with Phil on the remaining functionality we want to implement.

Jack and Kari are both missed, although occasionally pictures of tiny humans who look a little like them are sent around the studio.

Last but not least, please let it be known that the number 353 is a double sexy prime – that is, the numbers which are six away on either side (347 and 359) are also primes. Ooh-err.

(It’s good at the beginning of projects to research what’s come before, and Joe is pretty spectacular at finding references and explaining what’s interesting about each one. He’s done this for a few projects now, but we’ve never made his research public. Last year Joe put together a set of appearances of videophones in film. It’s a lovely collection, and it was a stimulating way to think around the subject! So I asked him to share it here. -Matt W)

Metropolis (1927)

Features wall-mounted analogue videophone. Joh Fredersen appears to use four separate dials to arrive at the correct frequency for the call. Two assign the correct call location and two smaller ones provide fine video tuning. He then picks up a phone receiver with one hand and uses the other to tap a rhythm on a panel that is relayed to the other phone and displayed as flashes of light to attract attention.

Transatlantic Tunnel (1935)

Features two very different pieces of industrial design at either end of the call.

This device displays similarities to the form of a TV set…

And this one has been designed to appear more like furniture. The screen is low down in a self-contained wooden unit designed a seated caller.

Out of the Unknown (1965)

User’s own image is reflected back to them until a connection is made. Possibly to confirm that the camera is working correctly. The hexagonal screen is an extension of a mobile chair.

2001: A Space Odyssey (1968)

A public booth containing a large phone unit. The system communicates that it is in a ‘ready’ state through the screen. A call is made by entering a number into the type-pad and a connection established on pickup

Colossus: The Forbin Project (1970)

We see five or six openly shared phones and connected screens sitting on a desk in the White House.

It is apparent that a single video feed can be broadcast to multiple screens in parallel, as below, or exclusively to a single one.

Space: 1999 (1975-1977)

The monotone blue phone screen has been designed into the very architecture of the craft.

And here requiring a key to connect.

Blade Runner (1982)

An outdoor, public phone service. Network information is displayed on screen implying that it is subject to change. When Deckard begins to dial a ‘transmitting’ notification appears. The cost of the call is shown when the receiver line is closed.

The screen is used as a canvas, covered in scrawled messages. A cross indicates the optimal position for viewer’s head.

Back to the Future Part II (1989)

Marty McFly is contacted by Needles his coworker. The video feed features personal information about the person in view, favourite drinks and hobbies.

Real-time message input can be expressed as video overlays.

Or push print-outs.

When not in use the screen displays a Van Gogh self portrait.

The Jetsons (1962-1988)

Videophones throughout the series. Rather than command desk space they lower from the ceiling when required. They appear to come with either a handset or microphone.

Star Trek II: The Wrath of Khan (1982)

Circular screen set into a square frame emerging from a pillar unit.

Gremlins 2: The New Batch (1990)

Shows a AT&T VideoPhone 2500 prototype with space for hand written addresses. When the video feed is lost the system defaults to a voice exchange through the handset.

Star Trek Nemesis (2002)

Pop-up screen set into the desk. Appears when call is received. Only visible when required.

The Rock (1996)

One way video stream displayed on multiple, wall inset screens.

The Simpsons: Lisa’s Wedding (1995)

A “Picturephone” uses a rotary dial to make calls. A camera housed in the device is distinctly visible in a trapezium above the screen. Set in the future, the device seems to be a new invention that Marge isn’t quite used to yet, as she visibly crosses her fingers guaranteeing that Homer will behave at the forthcoming wedding.

Moon (2009)

Ruggedised video phone for use in zero gravity. No function available for hiding outgoing video stream is evident as Sam Bell uses his hand to cover the camera.

And finally… the super cut of all of them

Watch the videophones supercut on Vimeo.

There is a general sense of curiosity held by the people who work in this room.



It’s evident through the sheer volume of web links exchanged each week.
Some of these fall away quickly but others gather such traction that they live on for days as a sort of rolling cultural Katamari Demacy.



Tracing lines back through these threads imparts individual preoccupations and quietly reveals the collective interests of the studio.

So, here are a few things that people have been up to and what’s captured their attention in week 352.

Andy has been chasing up sizeable quantities of power adapters and continued to receive ‘proof of life’ for atoms in constellations of his design. You can read more about this intriguing image at:
http://bergcloud.com/blog/



He also sent around the output of a collaboration between visuals artists Memo Akten and Quayola.


http://vimeo.com/37967381

These animations are described on thecreatorsproject.com as ‘a study of the relationship between the human body and movement’ rendered through abstract 3d forms. This prompted a discussion about the visual queues required to convey a sense of human movement. Matthew discussed the conflicts and payoffs between 2d and 3d. And Timo highlighted the capacity for the simple lines and dots of ‘motion capture’ to create hugely characterful movements. “There’s a magic about seeing human movement in the simplest of forms, like this.” (examples below).

Denise spent time designing characters for a forthcoming animation that plays a part in a project for Uinta. And readying an exciting proposal for a potential client.

She forwarded this little poem to the group:


http://pinterest.com/pin/106749453637547898/

And the beautiful Clouds project by Amsterdam based Berndnaut Smilde. This sparked some conversational speculation on the possibility of channeling this into the design of consumer electronics.


http://the-design-ark.com/2012/03/clouds-by-berndnaut-smilde/

Then, of course, the inevitable question of whether we could keep a cloud as a studio pet cropped up. It’s yet to be answered.

James, the impenetrable logic dynamo and fashion maverick, has spent the week sculpting code and sharing some splendidly weird links.

First up, this animated gif of a chirpy chap spotted in a couple of eggs, which I looked at for way too long.


http://www.lememe.com/wp-content/uploads/2012/02/57890589505.gif

He also suggested that if Jack were to design an album sleeve it might look something link this:



Timo prepared the Silverton workshop for next Tuesday and managed to find time to write an excellent blog post with Nick entitled: ‘Swiping Through Cinema, Touching Through Glass’. (Read it here: http://berglondon.com/blog/2012/03/08/swiping-cinema-touching-glass/)
He’s also been filming and editing for Uinta and Chaco projects with Oran.

He shared this NASA image from the March 6. A “Multiple-wavelength View of X5.4 Solar Flare”.


http://www.flickr.com/photos/gsfc/6962299865/

And also this slice of optical motion capture processing (mentioned above)


http://www.youtube.com/watch?v=Z9dMzTTgAZ4

Helen spent the week coordinating with different parties to ensure ongoing organisational legitimacy and defend the studio against exposure to fire or other catastrophes.

Alice, the Little Printer whisperer, has managed to convince the the device to send and receive picture messages. I now have My Little Pony and Power Puff Girls receipts on my desk.
Her other major triumph this week has been to discover an image of Rihanna throwing up ribbons. On loop.


http://28.media.tumblr.com/tumblr_luvkboF9zC1r31cpxo1_500.gif

Nick can usually be found lurking in the Linux mines. Or Tooting.
He sent around a link to the ‘Freescale Mechatronics Robot’ coupled with the message, “Anyone fancy a walking development board? Now with added ‘face’.”



http://www.freescale.com/webapp/sps/site/prod_summary.jsp?code=FSLBOT

And a project by Fay McCaul concerned with “….embedding reflective material into cotton yarn and using fibre optics and iridescent acrylic to create unconventional materials”


http://www.tentlondon.co.uk/news/exhibitor-profile-fay-mccaul#overlay-context=news-category/exhibitor-news (more info: Fay McCaul.)

Jones stands upon stilts, like a shepherd of the Landes, extending his field of vision for a string of sales meetings, workshops and presentations.


http://woodtrekker.blogspot.com/2010/11/mouleyre-shepherd-of-landes-france.html

He’s also been very active on the mailing list.


http://www.flickr.com/photos/markcph/5290175436/

The new iPad app from Bloom.io


http://biologic.bloom.io/

A PhD research project making AI that can design, evaluate and develop entire video-games.


http://www.gamesbyangelina.org/

Spacewalking helmet, fully loaded: 3 videocams, old lights and new LEDs, plus nose pad to clear ears inside.


From a tweet by chris hadfield
https://twitter.com/#!/Cmdr_Hadfield/status/177375221437833216

Wearable projector makes any surface interactive by Hrvoje Benko of Microsoft Research.


http://www.psfk.com/2012/03/wearable-interactive-projector.html

And evidence of tool use in bears.


http://www.bbc.co.uk/nature/17264679

Alex spent much of the week fusing artistry with pragmatism to find fitting ways to present the LP systems architecture to the user.
He’s also been hyperactive on the studio mailing list, in a very good way.

Starting with ‘Fresh Guacamole’ in which the director, PES, ‘transforms familiar objects into fresh guacamole’.


http://www.youtube.com/watch?v=FQMO6vjmkyI

The stunning stunts of Jorian Ponomareff.


http://www.youtube.com/watch?v=7a9VG4N5DfY

He also pointed out a post by Stephen Wolfram on his attitude towards the quantified self.

“One day I’m sure everyone will routinely collect all sorts of data about themselves. But because I’ve been interested in data for a very long time, I started doing this long ago. I actually assumed lots of other people were doing it too, but apparently they were not. And so now I have what is probably one of the world’s largest collections of personal data.”


http://blog.stephenwolfram.com/2012/03/the-personal-analytics-of-my-life/

A new supermarket scanner that recognises food by it’s colour and shape, no barcodes needed.


http://designtaxi.com/news/351869/New-Supermarket-Scanner-Recognizes-Food-No-Barcodes-Needed/

LEGO Space Shuttle Launched Into The Stratosphere.


http://designtaxi.com/news/351818/LEGO-Space-Shuttle-Launched-Into-The-Stratosphere/

And finally the latest DARPA robot named ‘Cheetah’ sets speed record for legged robots.


http://www.youtube.com/watch?v=d2D71CveQwo

Simon is the gravity to which all projects are subject. Involved in everything to some degree.

This week he described the similarities and differences between Channel 4′s new service …

http://www.radiotimes.com/news/2012-03-08/channel-4-launches-new-channel,-4seven

and the BERG project Shownar: http://berglondon.com/projects/shownar/

He also showed everyone the Dollar Shave Club website which features one of the finest corporate videos I’ve seen in recent memory (which admittedly doesn’t say much, but it is very good).


http://www.dollarshaveclub.com/

Webb distinguishes scale from perspective in a series of sales and logistical meetings. He and Jones presented the outcome of the Kletting project to Uinta and he generally mans the helm of this good ship.

In response to Andy’s post about ‘Form’ he wrote this: “A 2d animation can do anything at all. When you watch this …”


http://www.youtube.com/watch?v=BBgghnQF6E4

“It mimics a 3d scene, like a live-action movie, but it’s not 3d: it’s constructed to look awesome to the viewer. Micky’s ears exist outside the 3d world, they exist entirely for the viewer and the screen, you can’t even imagine what they might look like to anyone else in the frame, they transcend the world of the cartoon.”

“But when you watch a Pixar movie – a 2d render of a 3d scene – or this thing, the magic of the moving screen is replaced by a view into a world which has to obey the physics of the 3d. Its potential is somehow made smaller. It exists independently from me, and so somehow there’s less room for it to explode into magic.”

In other dispatches, he notified people of the Microsoft holoreflector project to which Alex pointed out that the typing position is under and behind the display. It was agreed that this is Odd! Neat!


http://www.extremetech.com/computing/120293-microsoft-research-shows-off-see-through-3d-display-holoreflector-illumishare

And excitedly sent around the Sim City announce trailer:


http://www.youtube.com/watch?v=kztNWdhRdnw

Finally, I have been feeling somewhat under the weather and a tad delirious. But you’ve probably noticed that.

The studio is continually interested in the beautiful and inventive stuff that can happen when you poke and prod around the edges of technology and culture. Mag+ emerged from a curiosity from both Bonnier and BERG about reading on tablets while Making Future Magic emerged from experiments with light painting and screens.

Early last year we were experimenting with product photography for a retail client pitch. We wondered how we could we use cinematic techniques to explore product imagery.

Watch the video of our experiments on Vimeo.

What would happen if instead of a single product image or a linear video, we could flick and drag our way through time and the optical qualities of lenses? What if we had control of the depth of field, focus, lighting, exposure, frame-rate or camera position through tap and swipe?

Swiping through cinema

This is a beautiful 1960′s Rolex that we shot in video while pulling focus across the surface the watch. On the iPad, the focus is then under your control, the focal point changes to match your finger as it taps and swipes across the object. Your eye and finger are in the same place, you are in control of the locus of attention.

Jack originally explored focus navigation (with technical help by George Grinsted) in 2000, and now Lytro allow ‘tap to focus’ in pictures produced by the ‘light field camera‘.

The lovely thing here is that we can see all of the analogue, optical qualities such as the subtle shifts in perspective as the lens elements move, and the blooming, reflection and chromatic abberations that change under our fingertips. Having this optical, cinematic language under the fine control of our fingertips feels new, it’s a lovely, playful, explorative interaction.

Orson Welles’ Deep Focus.

Cinematic language is a rich seam to explore, what if we could adjust the exposure to get a better view of highlights and shadows? Imagine this was diamond jewellery, and we could control the lighting in the room. Or to experiment with aperture, going from the deep focus of Citizen Kane, through to the extremely shallow focus used in Gomorrah, where the foreground is separated from the environment.

Cold Dark Matter by Cornelia Parker.

What if we dropped or exploded everyday objects under a super high-frame rate cinematography, and gave ourselves a way of swiping through the chaotic motion? Lots of interesting interactions to explore there.

Touching through glass

This next experiment really fascinated us. We shot a glass jar full of thread bobbins rotating in front of the camera, on the iPad you can swipe to explore these beautiful, intricate colourful objects.

There is a completely new dimension here, in that you are both looking at a glass jar and touching a cold glass surface. The effect is almost uncanny, a somewhat realistic sense of touch has been re-introduced into the cold, smooth iPad screen. We’re great fans of Bret Victor’s brilliant rant on the problems of the lack of tactility in ‘pictures under glass‘, and in a way this is a re-inforcement of that critique: tactility is achieved through an uncanny visual re-inforcement of touching cold glass. This one really needs to be in your hands to be fully experienced.

And it made us think, what if we did all product photography that was destined for iPads inside gorgeous Victorian bell jars?

Nick realised this as an App on a first-generation iPad:

Each of the scenes in the Swiping through Cinema app are made up of hundreds (and in some cases thousands) of individual images, each extracted from a piece of real-time HD video. It is the high speed manipulation of these images which creates one continuous experience, and has only become possible relatively recently.

During our time developing Mag+, we learnt a great deal about using images on tablets. With the first-generation iPad, you needed to pay careful attention to RAM use, as the system could kill your app for being excessively greedy, even after loading only a handful of photographs. We eventually created a method which would allow you to smoothly animate any number of full-screen images.

With that code in place, we moved onto establishing a workflow which would allow us to shoot footage and be able to preview it within the app in a matter of minutes. We also consciously avoided filling the screen with user interface elements, which means that the only interaction is direct manipulation of what you see on-screen.

With the Retina display on the third-generation iPad, we’re really excited by the prospect of being able to move through super crisp and detailed image sequences.

We’re really excited about re-invigorating photographic and cinematographic techniques for iPads and touchscreens, and finding out how to do new kinds of interactive product imagery in the process.

Soon, we’ll get back to managing to publishing Friday links on Friday – but for now it’s Sunday night and I’ve got time to round up interesting things that flew around our studio mailing list this week.

First of all a bit of a meta-point… Often things will be sent to the list with the prefix ‘X-Watch’ where X is a preoccupation of the studio. James decided to run a script across his mail to see what the most popular ‘watches’ were…

• 12 Parallax
• 4 Product page
• 2 Music Video
• 2 Printer
• 1 Injection Moulding
• 1 Baby
• 1 Bridge
• 1 Things on dogs
• 1 Kickstarter
• 1 weird skeumorphotablet
• 1 Car software
• 1 incidental media

What that tells you about us I don’t know…

Anyway. Onwards.

Our friends at RIG have been working on making jeans a bit more spime-y with Hiut Denim.

Joe found these lovely animations forming a children’s guide to critical thinking.

We discovered this amazing photograph from the ISS via Gavin Starks on Twitter

Nick and Matt Webb both pointed out this kinect-hacked shopping trolley companion species. Nick suggested that we should forget our ongoing search for a studio dog, and get this as a pet.

I think I’ll keep looking for a suitable pooch for us…

CoffeePhysics from Andy, and a car interiors tumblr from Alex, via ex-BERGler Tom Armitage.

The recent rash of babies from BERG might explain why this made the list… “…the first ever wireless, biosensor baby pajama.” [sic] Don’t worry. We restrained ourselves from wiring up Kari’s newly-arrived little boy with some arduinos when he made his inaugural visit to the studio this week.

MW liked this illustration of a speech-jamming gun a lot:

The new Nike store thats opening in a shipping container near us looks like it has a lot of interactive elements, some of which will hopefully be the human staff, but y’know.

Alex found this collection of googly-eye-enhanced bits of the planet, but he also found what I think was my favourite thing I saw on the list this week – an absolutely wonderful bit of manga illustration by Yusuke Murata, that uses the physicality of paper and folding to amazing optical effect.

Lovely.

I mentioned in weeknotes that Denise was doing some quick character sketches for some film work we’re planning, and she kindly let me take a shot of her pencil sketches before she took them into Illustrator.

I love the grumpy, determined intensity of the bear…

351 is a Harshad number, sum of five consecutive primes and also the designation of an extremely-loud V8 engine by Ford from the 1960s.

Here’s what’s revving at BERG this week, as recounted around our big red table on Tuesday morning…

Simon as per usual is running all our projects in the studio and also making sure Little Printer and BERG Cloud gets delivered on time. This week we’re finishing up a few client projects, so he’s helping wrap them up and deliver them to their respective homes. He’s also working on documentation for Little Printer, and helping with our ongoing sales process.

Timo’s working with Oran O’Reilly on editing some films for Chaco, and planning some Uinta filming with me. He’s also been doing some design research with Nick that hopefully we can show very soon. He’s the lead on one of the new client projects coming into the studio, codenamed ‘Silverton’, so he’s starting some research on that.

Andy’s working hard on Little Printer – paying particularly attention to assembly, diagnostics, testing samples, and certification. He’s also been investigating manufacturing options for Ojito – an invention of ours that we may revisit shortly.

Alice’s week is full of Little Printer dev work and Guardian Cryptic Crossword wrangling at lunchtime around our big red table, with our visiting cryptic expert, Phil Wright.

Nick’s working on Little Printer hardware and software with Phil and James Darling – and as I mentioned doing a spot of design research and filming with Timo.

James is helping NL with all of the LP work to get us to the next milestone, which is a list on a whiteboard with words on it I am not clever enough to understand. Luckily for me, James, Nick, Phil and Alice are more than clever enough.

Joe’s working pretty much full-time on the final presentation for Uinta’s Kletting project, making storyboards and images with Alex to communicate new service concepts.

The graphic style of the deliverable that they’ve come up with is lovely – halfway between storyboards, comic books, system diagrams and arresting montages of images that communicate some quite complex things really clearly.

Alex has been heads down on Kletting final deliverable work with Joe, teaching at the LCC for a day today, finalising our online shop designs for BERG Cloud, packaging design for Little Printer and starting to do some really brilliant product graphic experiments for the BERG Cloud ‘Bridge’ unit.

Denise has been supporting Joe and Alex as the creative director on the Kletting work, applying her service-design expertise to Little Printer stuff. In her non-copious spare time thinking about some iPad experiments with typography and doing a little bit of character design for an animated sequence Timo and myself are planning for a Uinta film.

MW’s been really pushing on our sales process to make sure it’s bringing in the right sort of work for the studio and in tandem with that thinking about project planning for the different shapes of new projects that are coming in, which will stretch us in new and interesting ways we hope. He’s also dealing with our finances along with Helen, and getting used to using a Windows Mobile phone after years of iOS…

Helen’s deep into spreadsheets, running the studio, replying to people getting in touch with us with various requests and helping MW with the finances.

I’ve been helping with the finishing stages of our current projects for Uinta, all of which I’m pleased as punch with – and concentrating on sales with MW to line up what we’re doing for clients through the spring and into summer.

---

AOB: I’m pleased to report the lights in the loo work, there’s a good deal on Innocent veg pots at the local supermarket which have pretty much dominated lunch for 50% of the studio, and we had a cracking return for BERG Drinks last night at The Reliance, where much amber fluid was drunk and Yahtzee was played by our friends from MakieLab.

We had a visit from our friend Einar of Voy, and we’re expecting some students from his university AHO in Oslo later this afternoon.

^ Daff Photo by BERG Alumni Paul Mison

Other than that – Happy St. Davids Day, and happy week 351!