Blog posts tagged as 'advertising'

John Kestner’s Tableau is a nightstand that drops photos it “sees” in its Twitter feed into its drawer, to be discovered by its owner. It can also upload images of things placed into its drawer. Kestner describe it as an “anti-computer experience”:

The nightstand drawer becomes a natural interface to a complex computing task, which now fits into the flow of life.

Matt J found this site collecting logos from through the James Bond movies. The Bond films are a franchise fascinated with branding and status; it’s great to see the branding of the many fictional corporations and firms in the franchise juxtaposed like this.

This BMW cinema commercial – produced by Serviceplan Munich – uses the after-image of text flashed at a cinema audience to reveal text to them only when they close their eyes. It’s a high-powered version of the Image Fulgurator, although here, the image is left in your sight (temporarily) rather than your photograph (permanently).

I loved astronaut Douglas Wheelock’s photographs taken from the International Space Station. This one (above) is of the Bahamas, but whether facing earth or the stars, his pictures are beautiful.

One more to end on: the moon.

• 
  Augmented Reality Link Of The Week #1: Scope, by Frank Larsome. Scope is an AR tabletop wargame, played with special markers and (in a nice touch) any toys you have lying around. The interface and “game” elements are all projected onto the scene through the goggles.

  I like this because it’s consistent and realistic in its use of AR: it makes sense to wear goggles or some other kind of apparatus, because you’re an army commander surveying a battlefield. And I like that reality is genuinely being augmented here: the AR element is interface and head-up display, as opposed to some 3D element pretending to be real but clearly failing at that. AR is, quite rightly, part of the novelty of Scope.

  [via GameSetWatch]

• And from the sublime to the ridiculous, as it were. This is Tribal DDB Asia’s “3D McNuggets Dip“, “The first 3D Augmented reality dipping game with McNuggets”.

  It’s AR as pure novelty: a marker to be used with a Flash webcam app, dragging an AR McNugget around a screen much like you might with a mouse, the sole novelty in the proposition being AR. It’s barely AR; it’s more Marker As Interface – much closer in implementation to the way a Wii Remote might be used.

  And what’s it all in aid of? Promoting a foodstuff made of both chicken and mechanically separated meat.

  [also via GSW]

• Enough AR; onto ePublishing. Not the launch of the Kindle to international customers – but rather, the December launch of a series of eBooks for children.

  Excitingly, they’ve been targeted not at existing eReaders, nor a simplified eReader aimed at children, but to a device with a touchscreen that many kids already own: the Nintendo DS.

  It’s a deal between publishers Egmont Press and Penguin, with games company EA. The titles are priced at £24.99 – nearly the cost of a full DS game, but each cartridge has “6-8″ titles on it, which cuts the cost per book down to that of a paperback. And then, of course, there’s all the supplemental material.

  I like the idea of Flips (as the titles are known) because they’re basically nothing new: an existing product retargeted simply by aiming at a new, simpler, cheaper platform – and one that many kids already have. There’s nothing complex here in the software or the strategy, but if the implementation’s good, then perhaps they’ll be a success.

  Sure, the DS screen isn’t as easy on the eyes as a Kindle’s, and the resolution is lower, but that might be less of an issue for ten- and eleven- year olds.

  It’ll be interesting to see how they sell; it’ll also be interesting to see if it sparks interest in reading, and also where they’ll be stocked: games shops are likely to carry them, but will bookshops as well? We’ll find out in December, just in time for the Christmas rush.

• And, finally, a small piece of gaming nostalgia that made me smile: the 1978 Atari catalogue, featuring titles for the VCS/2600. I like it if only for its emphasis on anything but the game screens, instead focusing on the large amounts of commissioned art. That cover brings nothing to mind so much as Mr Benn, and reminds me of the escpaism – the different outfits one can wear – that computer games have always had at their heart.