Even if posts don’t make it to the blog, though, there’s a steady hum on the internal studio mailing lists – bursts of banter, links to curios dredged up from around the internet – and all good fodder for a post full of videos after a quiet period. Time to start clearing that backlog.

Campbell found this delight – the winner of the “Best Visual Illusion of the Year Contest” 2010. It’s brilliant, and the reveal is obvious and uncanny all at once:

Each week, we like to begin and end our Tuesday morning all-hands meeting with a piece of theme music. Matt B and Matt J tend to take the lead there, and this week, Matt J picked “La Serenissima” by Rondo Veneziano – which can’t really be experienced without its surreal animated video:

The lovely stop-motion video for Cornelius’ “Fit Song” came up in conversation one afternoon:

Last week, Matt W tried to explain the magic of the Enchanted Tiki Room at Disneyland, and eventually found us a video of it:

It’s now quite a while since the skies went quiet under the threat of volcanic ash. I loved this animation, based on data from flightradar24.com, showing just how quiet European airspace went for a week.

And that’s a full slate, I think. Have a lovely weekend.

I loved Reknit: a site for turning unwanted woolen goods into new products. You send off an unwanted pullover, it gets unravelled, and sent back to you as something new. This month, it’s a scarf; next month, you’ll get something else based on a vote (in the running: a beanie, iPod case, cut-off gloves, or socks). If you don’t have a sweater to recycle, the site even offers to find you your nearest Goodwill store, where you can no doubt buy many new, old, scarves. This isn’t a large-scale industry, though; it’s the creator’s mother. And that’s the bit I really love, encapsulated in its tag line: this month, my mom will turn your old x into a new y. It won’t ever be a big operation, but it opens up her knitting to a slightly wider audience than the rest of her family. Lovely. Matt Brown coined something similar in the studio last week: small scale Gran-ufacture.

On a slightly more sombre note, Matt Jones sent this image to the studio mailing list, from a 2007 New Scientist article on the depletion of Earth’s natural resources. The stat that really caught our eye was the dwindling resources of Indium. Indium’s a critical component of LCD displays, and whilst, obviously, other screen technologies are available – and will continue to be developed – Matt noted that it’s a reminder that non-screen-based interactions (like those in Availabot or made possible through RFID) have an environmental value as well as a technological one.

The picture on the right is an advert I saw on the tube last week, for the University of East London. We write a lot about Augmented Reality on the blog, but I always assume we’re coming from a technologically informed/privileged position. So when I saw this on the tube, I did a double take; this is a faux-AR image of the Thames, with UEL facilities and landmarks picked out not only by map-pins, but also glassy iPhone-style bubbles. Perhaps the point of reference is meant to be mapping, but the combination of the popups with the photograph feels exactly like AR to me; the idea that AR was already a usable metaphor for advertising was very surprising. It’s also a reminder of the ability advertising has to introduce new concepts, rather than just illustrate old ones.

It’s not all serious links about Augmented Reality, or the Earth’s dwindling resources, on the studio mailing list, though; there’s also a decent amount of “here, look at this!“. It’s alright to like pretty things. I found this video from friend-of-BERG Alex Jarvis, and just had to share it. Ingenious animation, beautiful sketching; seems like the right thing to end these links with.

Here is my favourite piece of video right now. It is from the film 9 and a Half Weeks (via James Auger), and if you can wade your way through Rourke and Basinger power bonking their way around Manhattan you see this tape deck in his apartment. I’ve looped the video a couple of times and slowed it so you can see clearly.

I’m pretty sure it is a Nakamich RX tape deck. Using a system called UDAR (UniDirectional Auto Reverse) it mechanically flips the tape over at the end of each side. Something to do with aligning the heads. It is a fantastic piece of perfomance, and completely intrinsic to the nature and qualities of tape decks. Whatever it’s functional relevance might be, witnessing a mechanical operation so performative is excellent, the object is so discreetly joyful about what it is doing.

I also came across this video of a Red Raven records vinyl (via Alex Jarvis) on Kempa.com, along with some lovely research on vinyl video. It has two components. One is the vinyl, which has a large area of printed imagery on the larger than normal label; the second is a sixteen sided mirror which sits in the middle of your turn table and works like a zoetrope, reflecting the images on the vinyl as it turns and creating animation.

This a is beautiful response to the intrinsic qualities of vinyl and the mechanism of the record deck. More products should include this sort of wit and performative funtionality.